I have been working
in museums since 1999, but only recently, in the last 3 years, been working as
a curator. So, because of my previous experience in the museum field, I came to
the AAMC conference in NYC —my first—as both a participant and observer. In the
keynote lecture, Holland Cotter’s admonition to curators to "be an artist
yourself” and "put life in art,” I think, inadvertently captured the theme of
what I took away from the conference: the need for creativity in curatorial
work. In the Pecha Kecha talks, I heard how my fellow curators demonstrate an
artistic practice by being creative in their research, organization, and
execution of ideas. I also saw how creativity abounds in collaborative
activities, such as conservators, educators, and curators working together to
create memorable and engaging experiences for visitors.
Over and over again,
I learned how curators must be "artistic” in how they overcome obstacles, be
they bureaucratic and political at big museums, or financial and logistical at
smaller museums. I enjoyed hearing from others "in the trenches” who face the
same types of challenges that I do and who have come up with some new ways (or
revived tried and true methods) of dealing with those issues. Those
interactions over coffee or at the lunch table were invaluable to me, both as a
means of encouragement and practical advice. I also participated in a mentoring
session, which was very helpful and productive in a more in-depth way as I was
able to pick my mentor’s brain about specific projects.
Lastly, having the
conference in New York City afforded me the opportunity to add extracurricular
activities to the conference, such as visiting the Met, the Guggenheim, the
Frick, MoMA, the Neue Galerie, as well as other galleries, which was helpful in
not only viewing really great works of art but also learning about other
museums’ presentation strategies. In all, the conference underlined to me, what
I believe Holland Cotter was trying to get across, that curators can (and
should) be as artistic or creative in their practice as the artists who they
study and present to others.