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Registration Opens for 2018 AAMC & AAMC Foundation Annual Conference & Meeting

Thursday, January 18, 2018   (0 Comments)
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AAMC & AAMC Foundation Annual Conference & Meeting, Montréal, May 5 – 8, 2018

The Association of Art Museum Curators (AAMC) and AAMC Foundation’s 2018 Annual Conference & Meeting will be held May 5 - 8, 2018 in Montréal, Canada. A vital part of our mission, and our largest singular program, our Annual Conference gathers art curators from every discipline and type of organization together, providing a unique opportunity to connect across borders, fields and affiliation. 

The 2018 Annual Conference & Meeting in Montréal, our first Conference outside the United States, presents a program focused on collaboration, cooperation, engagement, and interpretation, which will build upon and continue our discussions of inclusion and access throughout all our programming. 

The program begins on Saturday, May 5, with tours and visits to eleven local arts organizations and a welcome reception at Parisian Laundry. On Sunday, May 6, we have tours and activities, at four organizations, as well as our Board Meeting at Canadian Center for Architecture/Centre Canadien d’Architecture and Mentorship Program Alumni reception at Phi Center/Centre Phi. Sunday concludes with our Awards for Excellence Ceremony and Reception, at the Musée d'Art Contemporain de Montréal.  Additional events include our Members’ Reception at the McCord Museum / Musée McCord and our major donor dinner, the Circle Dinner, at Montréal Museum of Fine Arts / Musée des beaux-arts de Montréal. Through our activities and tours, highlighting the immense cultural landscape in Montréal, we will broaden the curatorial view of how organizations can collaborate with communities, embrace new projects and buildings as vehicles for change and reimagine historical sites and collections as public resources.

Our main session days, Monday, May 7 and Tuesday, May 8, will be held at Montréal Museum of Fine Arts / Musée des beaux-arts de Montréal. Sessions will focus on the scholarly commitment to the investigation of race in art and visual culture within museums; collection sharing amongst organizations; ethical responsibility in collaborations with artists from outside the considered financial center-points of the art world; shift in art institutions and curatorial practice away from colonial legacies; Latinx identity and representation in our art organizations looked at through official and unofficial mentorship opportunities; and status of experience with digital initiatives and curatorial/digital team collaborations.  

Keynote Dialogues, between leading voices in the field, will focus on cultural preservation, research, and artistic creation in developing inclusive and equitable exhibitions, collections, audiences, and networks. Our Keynote speakers are:

  • Lisa Ackerman, Executive Vice President, World Monuments Fund
  •  Cara Krmpotich, Director and Associate Professor, Museum Studies, iSchool, University of Toronto
  • Ruth Phillips, Co-Director of GRASAC & Canada Research Professor, Carleton University
  • Skawennati, Artist and Co-Director of Aboriginal Territories in Cyberspace

Additionally, we are grateful for the welcome addresses from the following local leaders at our session days, Members’ reception and Awards for Excellence ceremony:

  •  Nathalie Bondil, Director General and Chief Curator, Montréal Museum of Fine Arts / Musée des beaux-arts de Montréal
  • Suzanne Sauvage, President and Chief Executive Officer, McCord Museum / Musée McCord 
  • John Zeppetelli, Director and Chief Curator, Musée d'art contemporain de Montréal

To date, support has been secured from the Getty Foundation, Henry Luce Foundation, Samuel H. Kress Foundation, and our lead sponsor is Sotheby’s. Our main partner, generously hosting the session days, is the Montréal Museum of Fine Arts/Musée des beaux-arts de Montréal. More information on supporting the program through sponsorship and/or advertising is available.

Registration is open only to individual current members of AAMC.  Early Bird Registration opens on Thursday, January 18, 12 PM ET and closes Thursday, February 15, 5 PM ET, only. General registration ends on Thursday, March 15, 12 PM ET. Any member who wishes to register after March 15 must do so on-site, but there is extremely limited on-site registration available and we do not encourage this option. 

Hotel blocks are available, through April 1, at the Hotel Omni Mont Royal, Le Meridien Versailles, and Chateau Versailles. A 12% discount on flights with Air Canada to the Montréal-Pierre Elliott Trudeau International Airport (YUL) is also available. Please visit our Conference page for more information.


About AAMC & AAMC Foundation Conference & Meeting
The Association of Art Museum Curators (AAMC) hosts an Annual Conference & Meeting, attracting over 400+ curators and guests from around the world. It is the only conference of its kind where curators from every discipline and field meet to discuss important issues facing the profession. The multi-day event includes mentorship opportunities, networking, professional development workshops, panel discussions, receptions, award announcements, receptions at host city cultural institutions, and a full membership meeting. The Annual Conference & Meeting, open to all members, fosters the profession's cohesiveness by addressing issues of national relevance, by assisting in professional development, and by promoting dialogue and exchange among curators. If you would like information on attending or supporting the Annual Conference & Meeting, please contact


About AAMC & AAMC Foundation

Founded in 2001, the Association of Art Museum Curators (AAMC) today has over 1,300 members from over 400 institutions around the globe. AAMC & AAMC Foundation celebrate the curatorial narrative by supporting and promoting the work of art curators at all stages in their career through opportunities for networking, collaboration, professional development, and career advancement.  In the ever-changing, non-profit visual art world, AAMC is the voice for all curators—regardless of field, experience level, and institutional type.  We ensure that the curatorial perspective on art, museums, and educational issues is actively communicated to the public, media, and museum profession. For more information, visit

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