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Webinar: Stewardship of African Art

Stewardship of African Art


When: Wednesday, March 26, 12:00PM EST
Where: Zoom Webinar
Cost: Free for AAMC Foundation Members to Attend / $10 for Non-Members

Responding to an urgent and growing need for guidance on ethical stewardship of African collections in museums, the Arts Council of the African Studies Association (ACASA) has produced best practice guidelines for provenance research and restitution. The new resource, the first-ever for museums in the United States, emphasizes collaboration and communication with Africa-based peers, descendant communities, and other knowledge-holding constituents in assessing and determining the futures of collections. Developed with support from the Mellon Foundation, this foundational document is publicly accessible and recommended for sharing with all U.S. collecting institutions. Hear from scholars who worked on the project how you can introduce these new guidelines to your institution.

 

 


Moderators


      
 

Amanda Gilvin, Interim Co-Director, Sonja Novak Koerner '51 Senior Curator of Collections, and Associate Director of Curatorial Affairs, Davis Museum at Wellesley College

Gilvin writes on textiles, contemporary art, and museums of Africa and the African Diaspora, and her articles have been published in African Studies ReviewCritical InterventionsAfrican Arts, and Nka: Journal of Contemporary African Art. She has curated many exhibitions, including Fatimah Tuggar: Home's Horizons (Davis Museum at Wellesley College, 2019) and El Anatsui: New Worlds (Mount Holyoke College Art Museum, 2014). Co-edited with concept-based artist and cultural critic Lorraine O'Grady, Gilvin's most recent book can be accessed for free online: Teaching/Learning with Lorraine O'Grady's Both/And.

 

 
 

Erica P. Jones, Senior Curator of African Arts and Manager of Curatorial Affairs, Fowler Museum at UCLA

Erica P. Jones is the Senior Curator of African Arts and Manager of Curatorial Affairs at the Fowler Museum at UCLA. Her curatorial work has engaged themes such as the legacy of colonialism in Africa, historical royal arts, and resonances between Africa and its diasporas. Exhibitions she has curated or co-curated include: The House Was Too Small: Yoruba Sacred Arts from Africa and Beyond (2023), Inheritance: Recent Video Art from Africa (2019), On Display in the Walled City: The Nigerian Pavilion at the British Empire Exhibition 1924-1925 (2019), and Meleko Mokgosi: Bread, Butter, and Power (2018). Jones is on the board of African Arts Journal, serves as a co-chair of the steering committee for the Collaboration, Collections, and Restitution Best Practices Working Group, and in 2024 led the Fowler Museum’s repatriation of seven looted objects to the Asante Kingdom in Ghana. Her publishing has been concentrated on colonial-era collecting, provenance, and the arts and museums of the Cameroon Grassfields. Jones holds a Ph.D. and an M.A. in art history from the University of California, Los Angeles, and a B.A. in art history and anthropology from the University of Pennsylvania.

 Speakers  
  

Sarah A. Clunis, Executive Director, Amistad Center for Art and Culture at the Wadsworth Atheneum Museum of Art 

Dr. Sarah Clunis is originally from Kingston, Jamaica and received her PhD in art history in 2006 from the University of Iowa. She came to the Amistad Center from her role as Director of Academic Partnerships and Curator of the African Collection at the Peabody Museum of Archology and Ethnology at Harvard University. Before that, Clunis worked at Louisiana’s Xavier University where she was director of the Xavier University Art Gallery, supervisor of the Art Collection team, and assistant professor of art history. Dr. Clunis has taught art history for over twenty years at public universities and Historical Black Colleges and Universities (HBCUs). Dr. Clunis’ research and classes have focused on the history of African art and the display of African objects in Western museum settings. She also studies the influence of African aesthetics and philosophy on the arts and religious rituals and cultural identities of the African diaspora. Her work examines gender, race, and migration in multiple contexts. She has published in both national and international magazines and journalsm. 

 
 

Paul R. Davis, Curator of Collections, Menil Collection

Paul R. Davis's academic research and publications focus on the visual culture and sociopolitical histories from the colonial and post-independence eras (18th–20th century) in West Africa. He was an Andrew W. Mellon Postdoctoral Fellow in the Centre for the Creative Arts of Africa at the University of Witwatersrand in Johannesburg, South Africa and a Fulbright-Hays DDRA Fellow based in Mali (West Africa). Davis was co-director of the Collections Analysis Collaborative (CAC), an object-based research and educational initiative with Rice University and University of Houston Clear Lake that focused on the Menil’s ancient Mediterranean holdings. His exhibition projects at the Menil have included ReCollecting Dogon (2017), Mapa Wiya (Your Map's Not Needed): Australian Aboriginal Art from the Fondation Opale (2019), Enchanted: Visual Histories of the Central Andes (2021), Samuel Fosso: African Spirits (2022), Art of the Cameroon Grassfields, A Living Heritage in Houston (2023), and A Surrealist Wunderkammer (2024).


  

Patty Gerstenblith, Distinguished Research Professor, DePaul University College of Law

Patty Gerstenblith, PhD, JD, DHL h.c., is Distinguished Research Professor of Law at DePaul University and Director of its Center for Art, Museum and Cultural Heritage Law. President Clinton and President Obama appointed her as a Member and then Chair of the President's Cultural Property Advisory Committee in the Department of State. Since 2020, she has served as President of the Board of Directors of the US Committee of the Blue Shield and Chair of the Blue Shield International Working Group on Trafficking of Cultural Objects. Her book, Cultural Objects and Reparative Justice: A Legal and Historical Analysis, was published by Oxford University Press in 2023. The fifth edition of her casebook, Art, Cultural Heritage and the Law, will be published in 2025. Her most recent article, “Cultural Heritage and Security Policy,” co-authored with Dr. Morag M. Kersel, was published in the University of Chicago Legal Forum. Gerstenblith received her A.B. degree in Classical and Near Eastern Archaeology from Bryn Mawr College, Ph.D. in Art History and Anthropology from Harvard University, and J.D. from Northwestern University. Before joining the DePaul faculty, she clerked for the Honorable Richard D. Cudahy of the U.S. Circuit Court of Appeals for the Seventh Circuit.

 
 
  
  

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